Another Space in Time

   The book deserves five stars, for being well written and entertaining. For those that need plot, this one is weak. The underlying reason for writing seems to be, at least partially, to do with selling a life-style, but one that isn’t close to any I can appreciate. I’m not a natural enthusiast for belief systems that put sexual love at the centre of life. So that you understand my own narrow views, to then be free to dismiss my words, I believe Freud was a fraud. Certainly, sex can be an obsession but it’s not ‘the fundamental’ building block of fulfilment and happiness and success. But sex is the essential, I hear you say. Well, yes, in a way, a vital ingredient. So, read the book.      Sex is certainly a more than significant line in some recent American presidential administrations. That is difficult to deny, when at least two modern presidents have been defined as much by their sexual antics as their policies. But could a tantric witch-doctor get so close to the president

AMAZON LINK 200 word stories. 40,000 words. Mixed genre. Age 12 to 120. $9.

             I was surprised by how much I enjoyed this book, about young adults set in a world of internet espionage, hacking and quasi-legal government institutions. The young computer wizard that out hacks a ‘governmental’ hacker and then gets chased across the United States, only to be hidden by big business good guys, sounds a little trite. In fact, the story works well, and is very entertaining. I’m sure the author wrote this with younger readers in mind, but this sixty-year-old thoroughly enjoyed it. This would work well as a family entertainment film script.     The story is well written, though because I had slightly negative expectations it did take me a few chapters to get into it. Once I was on-board, I was hooked, and only too keen to find out how the story would be resolved. The plot is stretched beyond the credible in parts, rather overblowing both the ability of the young to be truly independent, and of the ability of even a young computer savant to be quite so talen

      I enjoyed this high adrenalin short story, and yes there is no crime in that, but don’t ever forget to reflect on the truths told by fiction. That the subject matter uses the backdrop of the real story of the 276 abducted, imprisoned and abused girls, taken from their secondary school in Chibok, Nigeria, makes it deeply poignant.      I have no idea if any of the story is based on detailed fact, but am sure that all of it has been experienced in individual realities. That it represents well enough the actual conditions faced by the girls is evident enough from the reports that have seeped out. A number of these women, for that is what cruel life quickly made them, have got back to their homes, each, hopefully, to eventually find the strength to report their own harrowing experiences. However, as I write in October 2016 we hear that about 200 of the original group are still missing, as they have been for the last two and a half years.       I would like to think that this well

      This is a very well written book in which the author uses a fictional story to emphasise the real need for serious cultural changes, and ideally doctrinal ones, in the Catholic Church. These may or may not be genuinely in progress, but we can’t doubt that many ordinary Catholics are doing their level best to see that the good practices prevail. Other religions and institutions of many sorts have been exposed for similar evils, but the unnatural sexual denial demanded of the Catholic priests actually makes that church a particularly easy hunting ground for the paedophile, misogynist, and cruel manipulator of the weak. The churches should be the greatest bastions against evil, but they actually only shield these crimes and far too often. The secrecy of the hierarchy and lack of accountability in that church have also made it vulnerable to penetration by big crime operations, especially financial ones. The historic evils of the ‘European Churches’ are well documented and, as that

  First, please don’t be put off by some rather dubious reviews. Authors have no say over who reviews their work, whether they wish to flatter with stars or trash with their absence. I took the trouble to make contact and ask the author about what had happened. He had a book signing event on his own academic institutions campus. We can’t control our popularity. I admire Verma’s honesty, especially in this world where the honest authors have to compete against an overwhelming pile of deceit in the book marketing business. Some or all of these over egging reviews may not be on other popular reviewing sites, in which case this opening paragraph is of only obscure relevance. (I read on Amazon.com)    This book is written with a very Indian voice, with a common rhythm of English spoken on the sub-continent. That style is exactly right for the book, however, a good edit to internationalise the sentence structure, and improve some word choices, is needed. There are also grammatical errors t

The main character of this book is private-eye Jessie Thorpe, and a relatively believable one when compared to so many private sleuths from fiction. This the first in Schmidt’s proposed series of books, is unsurprisingly based on one of Jessie’s first cases, and certainly his first murder. Jessie is a bit of a middle-class smart arse, who at the start of the book has had an interesting life but perhaps not achieved a great deal. Jesse has many skills, as a guitarist in a group, an odd job carpenter and now as a gumshoe. He is also toying with the idea of writing. Quite a lot of him is quite possibly a younger version of Carl Schmidt the author.    The book runs on a fuel of wry-witted observations from Jesse. The voice is very much confident middle-class, white, American. Jesse is definitely macho, but far from Rambo, relying on the ability to disarm with words rather than violence. Jesse has a firearm but not one that is habitually to hand. His so far unused shooter has been given

      This is a light weight novella, which I think is aimed primarily at secondary school level. That doesn’t mean that adults that enjoy Hogwarts and Narnia won’t enjoy reading about Weeia. The lively little story kept me well entertained, though this sort of fantasy is no longer exactly my thing. I would have been a very enthusiastic reader it my early teens.       There is certainly some originality in Boca’s characters and at least in this book their superpowers are kept almost in the bounds of the possible. That was perhaps why Boca suggested that if I really was going to get off my backside to buy and read any of her already well reviewed books I might be best starting with this one. By the end, I was left wanting to know a great deal more about the only stone-cold character. Perhaps in a next in series the minerals of that magnetic personality softens. We seem to be in an almost contemporary fantasy world, as is Harry Potter, Ernie could pop around to see you the reader. How

   The plot is set in the second half of the 1970s and is so well researched and or remembered, that it gave a really genuine feeling of realism to me, one who lived through this period and even visited some of its chosen physical spaces at a close chronological age to the main character. I short, this was read by me as accurate real-life fiction. Before reviewing I took the trouble to ask the author if he/she is a contemporary of that period. I got no answer, but I was informed that the book is ‘only’ fiction.    I am surprised by a number of negative reviews I’ve read about this book. We all have our very individual and subjective opinions. Mine is that this is an excellent read. It is very journalistic in style, deeply psychological, and is as profoundly revealing of the main character in as much that isn’t said as is. This is really strong first person writing. What are any of us prepared to reveal of ourselves, of our strongest, often unflattering, behaviours? The mixed vulnerab

    This book is video game fast, with video game deaths and outlandish main actors’ superpowers. For me, there is far too much action and far too little story. However, I am not an intended reader; of that I’m certain. This is millennial generation writing with the modern addiction for frenetic virtual reality action. Of its sort, the writing is very good.    Some reviewers have made a lot of its religious content. Sorry, but I’d didn’t really get that at all. I read purely traditional dystopia with a few biblical names. For me, the kick-arse female, with physical superpowers is all a bit passé, as I’m sure is the feeling of increasing numbers across all post teenage generations. Why do futuristic women have to eat testosterone bars? The steampunk I loved, despite its erratic appearance. I wouldn’t have known that the book had two writers, except for a couple of apparent continuity slips and rather inconsistent standards of grammar. The time travel elements were clever, always re

      T he book is reported as fact based fiction. Americans will understand better than me the balance of truth and augmentation. However, the writing certainly comes across as highly informed. The Project starts with a good use of flash-forward prologue, but be warned, it is really only at the very end that this intensity of action is picked up again. But yes, there are thriller genre elements that touch this story, lots actually, although much is alluded to as possible or likely rather than shown.      The story is compulsive rather than gripping. What we really have here is an in-depth dissection of one man’s ethical morality. Sam is a very conservative ex-military prototype; working in the cutting edge of modern technology as an expert on all types of security protocols and their technical and physical implementation. The character is a family man with strong conservative Christian values that are as more white middle-class cultural than definitively religious.      Sam is drive

A really good read; but I need to start by saying that those with traditional and solid religious views must be prepared to read this as totally ridiculous entertainment, if at all. As an agnostic ‘believer’ I had no trouble at all with this story. If I had exacting believe in any scriptures, especially specifically Christian ones, I may well have done so. The book is technically well written and the plot is very entertaining. The first half of the book is particularly good, and plausible enough to this reader. We start in a conventional conspiracy thriller, which is both pacey and credible. I wish to give nothing away, by saying that after the mid-point the plot becomes increasingly extra-ordinary. Even the science may be plausible, or at least be in the not such distant future. However, I’m sure we can all rest easy in the fact that the specific application of science is actually impossible. There is a lull in the pace for a while as the book metamorphoses, however, tense interest

   This is a total standalone that builds on the character Prunella Smith, who appeared in Tahlia Newlands earlier metaphysical, mixed genre delight, "World Within World's". This one is again a weave of differing themes and stories that interlink based around the thoughts, life and writing of the author Prunella Smith. Each of the main story elements would work as independent short stories. These superficially independent threads are spliced together into one mystical reality. The binding themes are ultimately metaphysical. Each of the four main plotlines run as strands in Prunella's possible past and certainly present being. Actually the book reflects, openly from a deeper level, many elements of Newlands real life that are flickering away in the background. Prunella isn't Newland, but she might be in some parallel existence. The Australian bush, cats, steampunk, crafts and Buddhism continually bounce around the complex reality that is the real author. All fict

A detective mystery set in the 1960s with an authentic feel of the 1960s. The book could so easily have been written then rather than in 2015. The read is nicely scattered with illustrative pictures from the period, which I can see adding a lot to the reading experience of those born later. I felt that I could be reading a period Mickey Spillane novel; the script felt that authentic. I'd even say that there are more than a few similarities between Mike Hammer and Carson Reno — well at least as how I remember the character. Then again, possibly Reno is a more James Garner in the Rockford Files TV series. Okay, that was very 1970s scripted, but the Rockford character could have been slotted seamlessly into any '50s/60s detective series. So then, for me, Carson Reno is possibly best described as a blend of Mike Hammer and Jim Rockford. The writing has a sharp journalistic economy, never burying us in irrelevances and keeping a brisk pace. Some of the bit players are easy to

I enjoyed reading this science fiction adventure set in a perhaps actually soon to come time, in which mankind, or what is left of it, has prostituted itself to hedonistic pleasure. The doctrine of the modern right, of the selfish individual that has no cares for any less advantaged soul, is laid bare with a worst outcome. On-line digital space, has seduced nearly everyone at the cost of progress in, or even maintenance of, the real world. Time in reality is despised and avoided in favour of pretend life inside the computer's generated parallel world. When the players aren't in the machine themselves there, 'ghosts', still acting shadows of themselves, still are. For most people it isn't even possible to know if those they interact with in digital space are really in the machine with them or not. Meanwhile, in the real world pollution from the '3D printers' that produce the technological hardware of civilisation, is destroying what little is left of t

   This is an unusual book, of no genre and many, weirdly paranormal but rooted in reality, psychological drama and yet often cultural history, part travelogue and possibly part true biography, explorative of positive new age philosophies and yet at times strangely nihilistic.    What would you do if strangers you touched randomly fell down dead? I would go and live in an isolated lighthouse or in a very empty desert.    What would you think of what I assumed as I read was a basically non-fiction script, that follows an Australian hippie from one of the last cohorts of the baby-boomers, as he toured the English speaking world on a exploratory rap for most of his life? If you were of his age, which I am, you'd find that interesting. At least I did. Now what would you think if he added what the sane must hope is a fictional reason for his wandering behaviour, that being that he is an unwitting mass killer? Could that work? I was interested by Shank's private experiences in

This read of four interlocking short stories draws one into what are to most people fairly unfamiliar lives, yet reflects on life truths that affect us all. I have never played cards for big money, or betted more than a few coins in what we accurately used to call 'one-arm-bandits', but the story made me feel as though I had. Equally, I've never given up my freedom to drugs, but felt the sickening 'necessity' of the next fix for a few minutes. My favourite story was about the gambler's mother, trying to understand by learning poker for herself. We get a feel for how each character rubs against the others through different first person points of view. The stories pass all too fast. This is interesting fiction observing human behaviours from inside fictional characters. I would gamble that the character Elliot has a real thread of Jeff Maehre in him, but then, as I say, I don't put money on it.  AMAZON LINK

First off, I wasn't happy with the flow of words because of unfamiliar use of English. I put that down to my age and culture and the fact that Aguayo is bilingual and probably leaning to a more formal Spanish than English Language schooling. There is also a steady flow of simple grammatical errors. Despite my concerns the book is very readable; I would never finish a book that wasn't. I hope this doesn't put you off reading but perhaps rather encourages Aguayo to employ additional editors. The plot is very entertaining; with a good deal of what are to me very original ideas. The dystopian world that Aguayo creates is quite fascinating, and definitely fantastical rather than science factual. There are speculative fiction, cyberpunk, science fiction and fantasy elements in this story. Reading a male author writing first person as a gay female drug addict is certainly unusual. My view that Aguayo was playing psychoanalyst on himself as though he was a still juvenile female

This book is as unique as all Cornelius books. Those that prefer their authors' scripts predictable might not. I loved it, even though I'm a bit of a prude, preferring sexual content to be more implied than graphic. If one is going to lean towards porn, while still keeping the serious content on top of the page, one had better do sex scenes well. In too many books porn is included for the sake of commercial successful without regard to plot. Cornelius includes vivid porn without losing sight of her intellectual idea. There is also a little fairly graphic violence, which in its case the story simply couldn't have worked without. Both sex and violence were written with realistic efficiency, and with a great deal of gymnastics. Cornelius represents everything that is best about self-publishing, going places with her scripts that the established publishers generally fail at- genuine originality. This is inevitable because businesses have to make commercial decisions. True,

   This history of the ridiculous is an extremely interesting and irreverent look at the antics of our ancestors. As I read I didn't get the theory bit, because historical action seems to defy any theorisation. Well, yes, that is kind of ironic! And it is certainly ironic that so often an action has the opposite effect to that intended. However, as for the word 'irony' in the title, far from all the happenings mentioned in the book, or even a majority, really coalesce around irony. As I progressed, it appeared to be the absence of logic, the incongruity of the action, the paradox, rather than the sometimes irony that was significant in the books subject matter? Though, I found some of the best material to be in passages where true irony was immediately clear to me. With a nod to the sub-title pf the book, it's certainly deeply ironic that the high point of the 'one small step' on the moon presently seems to distilled down to the swinging of a golf club in on

   This is one of the best books of any genre I have read for some time. Idyll is very much at the intelligent end of speculative science fiction. The technologies, once you start to understand them, may seem thin on scientific logic, but the philosophical speculation behind the storytelling process is extremely stimulating. How unique Derry's vision is I couldn't possibly say, as there is just so much brilliant and diverse science fiction out there now that the publishing walls have tumbled, but what I can say is that Derry is a good writer and an even better storyteller. There are certainly a host of books that cross the divide between the 'Western' and Scifi, in fact a huge sway of modern SF and Sci-fi books and films owe much of there appeal to 'Space Western' themes but Derry's creation reads as very original to me. I don't think, oh yes, this author has borrowed from Orson Scott Card, Michael Crichton or Alice Mary Norton; not a bit of it. Rathe

   An interesting plot centred on a rich wastrel from a well-to-do family, who in the end sort of comes 'good'. There are two very powerful male characters in this book and neither of them are the failing gambler that is at the centre of this story. One is his father, and the other a preacher of dubious reputation. There is a strong female role as well.    The book reads well and is in the main well edited. The plot is believable, unlike many thrillers, with all of the individual elements pieced together from behavioural patterns that really do regularly pop-up in the real world. There are some nice twists that kept refreshing the book without over stretching one's credulity.    The book's strongest elements, the difficult relationship between a highly successful father and a son that at thirty still hasn't fully tested his potential, the shenanigans of the evangelical preacher, and the preacher's daughter that seems to like existing on the seedy side of